Ultra modern and highly effective, this one will leave you jumping at shadows long after the credits roll. Maika Monroe plays a young woman haunted by a shape shifting spectre after a sexual encounter who slowly but relentless trails her everywhere – the film plays with the audience expertly, making us guess whether background characters could really be the monster.
Inspired by a reccuring nightmare director David Robert Mitchell had in his youth, It Followsis a clever, freaky take on the slasher movie, featuring, well, a sexually transmitted ghost. It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness. As she gets to know the locals, she finds herself being pushed towards a relationship with karate-loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her. When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. Brilliant, but not one for the faint-hearted. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. “Creepy” doesn’t feel like a strong enough word to describe this film – “devastating” might do it. She materializes in his bed every time he and Holly have sex – she might be dead, but she’s not letting go. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co-worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. Rob (Cian Barry) can’t get over his ex-girlfriend. In fact at times, Hereditary is almost too scary, so oppressive is it’s escalating anguish and dread. Hereditary has been called The Exorcist for a new generation, though it’s so much more than that. Hereditary Ending Explained By David Crow The wrap-around sees a consultant arrive at a country home only to find that he recognizes all of the guests at the house – he’s seen them all in a dream. Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap-around narrative. It’s creepy throughout but by the time you finally discover what’s really going on it’s not only terrifying but emotionally devastating too.
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It owes a debt to Twin Peaksin its odd neighborhood vibe, and the twisty plot holds many surprises, as the movie wrong foots the audience time and again. This strange found footage film from Australia takes the format of a mockumentary focusing on the family of a dead girl who think there are supernatural goings on surround their house. The ending will have you shuddering in your seat.
When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is. Babadook with his horrible, terrible grin is of course creepy as all, but Noah Wiseman as her needy and uncontrollable child gives him a run for his money in creepiness. The Babadook (2014)Ī character from a terrifying kids book comes to life to haunt a single mother (Essie Davis) grieving for the loss of her husband in this beautiful, sorrowful meditation on depression and despair.
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Plus there are those footsteps upstairs… Just from that description, you might think that Gaslight will turn out to be a haunted house story, but the real explanation for all the weirdness is far more sinister than that. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. Gaslight (1940)īella (Diana Wynyard) thinks she’s losing her mind. Not many films could make a sheet of printed fabric terrifying, but Under the Shadow manages it.
The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Set in war-torn Tehran in the late 1980s, Under the Shadow sees a would-be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground.
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